Recent Press & Podcast Round-Up!

10/18/17

Here’s a round-up for you of recent press (mostly for my new book A Glorious Freedom) and podcasts I’ve recorded! Enjoy!

The Creativity Habit Podcast – I talk to host 20Daphne about my story of exhaustion to burnout. We also talk about social media anxiety, the importance of having a clear vision and goals, the role of art and activism, and why it’s never too late to start your thing.

Forbes Magazine Article: A Few Wrinkes: The Price of Privilege

Interview on The Fold Magazine

Feature on The Jealous Curator

Excerpt from A Glorious Freedom on The Reset / Punchbowl

A Glorious Freedom reviewed in both BOOKLIST and Kirkus Reviews

Below is a review in Red Magazine from the U.K (Fun fact: I’m also one of the 200 Women in the book 200 Women, but more on that later this month!)

SaveSaveSaveSave

SaveSaveSaveSave

CATEGORIES: My Books | Podcasts | Press
0
shares

Adam Kurtz: Things Are What You Make of Them

10/05/17

If you’ve been reading my blog for a few years, you may remember I interviewed Adam J, Kurtz back in 2015 as part of my People I Admire series. Adam is one of my favorite artists and writers at the moment. While his work is infused with enormous humor, it’s also earnestly intended to be helpful — to get us to take ourselves less seriously in some cases, and more seriously in others. For his relatively short time on the planet so far, Adam is incredibly wise and offers stellar advice for creatives in his brand new book Things Are What You Make of Them, out just this week. This coming Sunday is also the last day to  donate to Adam’s campaign to support the Tegan and Sara Foundation with each purchase. Just last week, I interviewed Adam about his latest book, which is a collection of life advice for creatives. Images from the book (aka some of his pieces of advice) are dispersed throughout the interview for your enjoyment! I present to you Adam J Kurtz in my Interviews with People I Admire series!

Lisa: Adam, I absolutely love your new book. Tell us how the book came to be.

Adam: The book started with a single guest post I did for Design*Sponge that talked about create work in my own way – optimistic, realistic, and some blunt humor. A few months later, Grace Bonney (the founder of Design*Sponge) asked me if I wanted to write a little bit more, and my sorta-regular-but-sorta-not column on her blog was born. I would write about new topics as they felt relevant to what I was dealing with either creatively, as a small business, or both. I had just ventured off onto my own, letting my hobby finally be my full-time job for the first time and a lot of new shit was being thrown my way.
 

Lisa: How do you describe your professional self?

Adam: Though I started out as a graphic designer, I now just run with “artist and author” because it best encapsulates what I do, which is a little bit of everything. Ultimately, I create illustrative work that tackles life itself with humor and a little bit of darkness. My work is kind of my therapy. It’s how I process the world, and then it’s also often about processing! My first two books are interactive journals, taking the lessons I learn, and opening them up as tools for others.

 

Lisa: When you were writing these pieces of advice for the book, what was the process for brainstorming and capturing them? What inspired them?

Adam: Sometimes it was something I was struggling with, like comparing myself to other people. Finally, I just had to fucking admit it! I was making myself miserable and instead of being happy for others, I would grow negativity and turn it inwards. Fucking gross. Other essays were motivated by the outside world. “How To Be Yourself” is about identifying our unique traits and human identity to make work that breaks through the monotony, but it’s also inspired by the journey that many people take in figuring out who they are. I wrote it during Pride month, thinking about how scary it can be to recognize who you are, and then feel confident enough to open yourself up to love. Though the book subtitle says it’s “for creatives,” it’s really for anyone who’s a caring, emotive person living in this world.

Lisa: I have a manifesto for my studio, and one of the items on it is “I BREAK FOR LUNCH”. In fact, I just got back from eating my lunch in my kitchen. Let’s talk about why stopping for lunch is so important.

Adam: When you’re your own boss, either on a specific project or, you know, full-time, every minute that you’re not working feels like a tiny failure. We put so much pressure on ourselves to be working, emailing, concepting, or whatever else that we often don’t treat ourselves the way we’d treat an employee! We forget to allow ourselves to be human beings. Human beings need to eat lunch. Happy human beings need to eat lunch not glued to their computer screen or work bend. We deserve to be happy human beings.

Lisa: Which bits of your advice are you the best at personally?

Adam: I feel like I am good at being happy, or at least setting the stage to be as content as I can be. I struggle with happiness. I struggle with my mental and emotional health. Thought I’m not a perfect, happy, shiny person (which btw doesn’t exist sorry) I am good at allowing myself time to just be alive. I can celebrate my small accomplishments. I set small goals and projects for myself to achieve. I treat myself in small ways. It’s a constant balance and I know I will never just “be” a happy person. It’s a constant climb. But I’m the happiest I’ve ever been and it comes from a place of understanding myself and giving myself what I need. Also, therapy. I know I said earlier that my work is kind of my therapy, but Therapy is also my therapy.

Lisa: What piece(s) of advice in the book are working on right now because you want to get better at it?

Adam: I’ve been thinking a lot about using my power for good and how I can work to help others. There’s so much happening in the world and it is truly hard to know how to contribute, how to be useful, how to support as a true ally, how to lend my creative services in a meaningful way, etc. It’s a tricky balance to know when, where, and how to speak up. For the first time in my career I’m being open about being a queer person. Not because it’s ever been a secret, but because I’ve maybe taken it for granted. Now that it’s abundantly clear that some of the progress we thought we had made as a society isn’t… progressive enough… I just want to be a visible person who speaks up for who they are. One immediate way I’ve been doing that with this book is a donation campaign to support the Tegan and Sara Foundation with each purchase. I just need to be better at recognizing the privilege I have to speak aloud about who I am, and do more of that. I am trying to exist loudly to stick it in the face of everyone who’d prefer I not exist at all.

Lisa: Let’s talk about comparison via social media. It’s the curse of the creative community. Yet I think we all have so much to learn from this shared experience. What is your favorite advice for managing your own feelings when you find that you are comparing yourself to others?

Adam: We know that social media is just part of the story, because we know how we use it. But when you see, for example, an artist who is posting work every single day, it’s easy to feel like you’re not doing enough. I’ve had so many conversations with other artists about the pressure to post, and how posting can distract from the actual work to be done. Do I still compare myself to other creatives sometimes? Yes, of course. I notice when good people are doing cool things! Sometimes I’m just like “ahhhh I wish I was part of that project too!” But then I’m just glad my friends are getting work. Now when I see a sponsored post from someone I follow my first thought is “YESSSS GET THAT MONEY!” I know how hard it is, so I feel joy and pride when others get cool opportunities.

Lisa: What is the one piece of advice in the book that has gotten the biggest reaction after you shared it?

Adam: There’s a page that says IT’S MAGICAL, NOT MAGIC that is all about how creativity isn’t a have vs. have not situation. We sometimes talk about or think of creativity as a magic power that only some people have and that’s just not true. What it comes down to is tapping into the energy we have, exercising it, practice, and growth. Creativity is a wonderful, intangible, magical thing. But it’s not a magic power for wizards only.

Lisa: How are you so wise? (I want to call you Grandpa Adam). Who taught you all this incredible wisdom? Who are your role models? How have you learned it all?

Adam: I’m just an idiot! Everything in this book is me figuring it out as I go and of course I forget half this common sense advice when I need it most. But I do come from a family of teachers and leaders, with a bunch of Rabbis going back several generations on my mom’s side. None of them were any good at Instagram though so I don’t know how relevant that is to what I do now.

I’m also really inspired by a wonderful group of creatives in tangential social circles that I feel like I’m a part of including the amazing, incredible, generous, and wise Kate Bingaman-Burt, an artist who has been inspiring me both from a distance and as a friend for several years now.

Lisa: Where can people find and follow you online?

Adam: I’m @adamjk on Instagram (recommended) and Twitter (not recommended unless you want to know what I think about pop music and bread). I do also have an email list which I update sort of sporadically with new work and rambling personal notes.

SaveSaveSaveSaveSaveSaveSaveSave

SaveSaveSaveSave

SaveSave

SaveSave

SaveSaveSaveSave

0
shares

A Glorious Freedom is Released Today!

10/03/17

Today my book A Glorious Freedom: Older Women Leading Extraordinary Lives is released! You can purchase a signed copy of the book here in my Etsy Shop or here on Amazon or wherever books are sold. I am going on a short book tour to Portland, Seattle, San Francisco and Richmond CA (more cities to come later this year and next year). You can get more information on the book tour here.

Below is the introduction to the book that I wrote last year. Enjoy. And thank you for supporting my work.

“Age has given me what I was looking for my entire life—it has given me me. It has provided time and experience and failures and triumphs and time-tested friends who have helped me step into the shape that was waiting for me. I fit into me now. I have an organic life, finally, not necessarily the one people imagined for me, or tried to get me to have. I have the life I longed for. I have become the woman I hardly dared imagine I would be.” – Anne Lamott

The book you are holding in your hands is a book about women. It is a book about women over the age of 40 who are thriving.

You might ask, Why make this book? Why are the lives of older women worth celebrating?

My own life’s path is what piqued my interest in the topic. I am a self-described late bloomer. The year this book is published, I will be 49 years old. By profession, I am an artist, an illustrator, and a writer. I did not begin drawing or painting until I was 31 years old. I did not begin my art career until I was 40. I did not begin writing regularly until I was 42. I did not publish my first book until I was 44. I did not get married until I was 45. At 49, I have just published my seventh book. My eighth comes out next year.

Every year that passes, I become braver, stronger, and freer. Getting older has, for me, been an enormously gratifying and liberating process. I am a kinder person to others than I have ever been, and I also care far less than I ever have about what other people think of me. I am both more determined and harder working than I was when I was younger, but I also value experiencing joy in my life over my work ethic more than I ever have. I am both more secure and more vulnerable. Out of years of living with intense insecurity and trepidation, the wisdom of age has taught me the importance of courage and that my own unique path is just that—my own unique path. Aging, as Anne Lamott so eloquently put it, has led me to myself.

In an effort to express my feelings on the topic, I wrote a short essay on getting older in 2014 and published it on my blog. That essay was quickly shared by thousands on the Internet, both through my blog and through social media channels. Although I have a decent social media following and a devoted audience of blog readers, I am not a celebrity or a full-time blogger, so the attention this essay garnered was rather phenomenal. I realized that if the topic of getting older and thriving was reso­nating so strongly with so many women, then I needed to explore it further.

And that is, of course, where the germ of this book sprouted. I had long admired some well-known late-blooming women and seen them as role models since I was in my 30s. I already had ideas of the women I wanted to include in this book. But I also used the power of social media to gather even more names and con­tacts. I began the process of making this book by reaching out to my Internet community (my social media followers and blog readers) with one basic request: help me find the women you know or admire who exemplify bold and adventurous aging—artists, writers, athletes, scientists, activists, thinkers, designers, and feminists over 40 who are embracing the positive aspects of getting older: the wisdom, emotional resilience, work ethic and play ethic, insight, and sense of humor that come with age. I asked my followers to help me identify women who were late bloomers, women who hit the apex of their careers later in life or who made some bold move to live in interesting ways after the age of 40.

The response was astounding. I received emails from scores of men and women around the world with all flavor of submissions: long lists of women I should profile or interview, along with essay submissions from women about the process of aging, their relationship to aging, the struggles, the joys. The response to my call was, in fact, so astounding that I was literally overwhelmed with how to contain the potential for the book. I’d contracted with my publisher, Chronicle Books, to make a book that was 155 pages, and I was absolutely sure I’d have enough material to make a book five times that length!

I set out to cull together the best of everything I received—to research and write about women I admire, to contact real-life female heroines for interviews, and to sift through the endless essay submissions for the book to fit it into the format you are holding in your hands.

Historically and across cultural divides, women have been told to remain silent, to sit still, to hold back, not to shine. In addition, women have traditionally regarded their ability to please others—over following their own dreams and desires—as one of their greatest strengths. Furthermore, for countless generations, women have been told that once they hit middle age, their opportunity for greatness has passed.

And so the resilience and courage demon­strated by women, and, in particular, the ever-growing population of older women, to challenge and redefine these notions is one of the most exciting things to observe in the world today. We live in a time where more and more women are beginning to live out loud, to follow their own desires and dreams, to be who they are, to live fully, to live a second life after their children leave home, or their husbands are no longer with them, or their previous careers have faded.

This book profiles many women who paved the way for us—women like Katherine Johnson, Louise Bourgeois, Julia Child, and others who were challenging notions of what it meant to be an “over-the-hill” woman long before today. Many of these women discovered hidden passions and talents much later in life or hit the most exciting and fruitful time of their careers as older women. They are undeniably role models for reimagining what our lives can be. The book also tells the stories of extraor­dinary women today who are reinventing what it means to be an older woman—women who are breaking through barriers, successfully completing athletic feats, and doing their best work in their 60s, 70s, and 80s.

When I first put out a call for suggestions for the book, I got a handful of emails and Internet and comments from older women for whom aging was actually not enjoyable or interesting—the onset of health issues was no fun at all, and the death of loved ones was a regular part of their lives. These perspectives are real. And so my point here isn’t to establish some sort of Pollyannaish portrayal of female aging. Things like bodily changes, shifts in the brain, and the experience of losing loved ones are very real (and often very painful) parts of growing older, and no one escapes them. However, I hope what we can see inside the stories in this book is the enormous potential for courage, perspective, spiritual growth, and humanity that often grow out of these struggles. My aim here is to provide hope to women who are aging (or fear aging) that while the likelihood of ugly side effects grows ever larger, so too does our capacity for love, for compassion, for brave acts, for vulnerability, for creativity, and for joy.

And so here I go—here we all go—leaning toward our 50s, 60s, 70s, 80s, 90s, hair graying, wrinkles gathering, experiences accruing, insights accumulating, joy abounding.

No matter what your age or gender, may each of you find inspiration in this book to live bravely and fully, and to use your experience as your most powerful tool in living your best life.

-Lisa Congdon

SaveSave

SaveSave

CATEGORIES: Inspiration | My Books
0
shares

The October Print of the Month is Here!

10/02/17

This month’s print is a reminder to be you…and allow others to be themselves too. It’s 11×14 inches, full bleed & ready to frame. They are limited edition (only 40 available) and once they sell out they are gone forever. They  are available here.

SaveSave

SaveSave

0
shares

New E-Course: Building a Robust Portfolio

09/28/17

Friends, I’m so excited to announce my brand new video E-Course: Building a Robust Portfolio. This is a three-part, easy to follow video e-course designed to help you prepare to build a portfolio that best showcases your work.

This course is designed for aspiring or beginning artists who don’t yet have an online portfolio and are unsure of where to start. It can also be helpful for experienced artists who have been out of the game of working professionally for a few years. This class answers questions like: What exactly is a portfolio? What should go in my portfolio? How should it be organized? Should I create one myself or hire a designer? How do I approach building my portfolio when I haven’t any or much professional work yet?

Through this video course,  guide you through practices for building your portfolio, including how to organize it, what to include in it, pros and cons of doing it yourself versus hiring a designer and building a body of work to include in your portfolio.

You can take this course from anywhere in the world at your own pace! It includes pre-recorded videos, along with a written summary of video content and resources in an easily downloadable PDF.

The class has three parts:

Part One: In the first class video, I cover what a portfolio is and why it’s important to have one as a working artist.  I’ll talk about what we mean by the term “portfolio.” I’ll also cover what other information should accompany your portfolio on your portfolio website.

Part Two: In the second video of the class, I will cover the criteria for deciding what should go in your portfolio, different ways to organize your portfolio and a few key design principles.

Part Three: The third and final video, I focus on how to approach building your portfolio when you are just starting out and don’t yet have client work, along with tips, tricks and best practices for creating a cohesive body of work.

PLEASE NOTE: This class is not about the technicalities of how to build an online portfolio. There are many platforms out there that allow you to do this easily (and some for very little money) without knowing code or complex programs, and there is a list of the best of the best of those platforms in the class PDF for you to research. In the second video I do discuss the two different ways to approach building a portfolio: either by hiring a designer to do it for you OR by using one of the online do-it-yourself platforms (or a combination of the two). There are pros and cons to each approach and I’ll discuss some of those.

This class will prepare you to take the next steps.

Register here.

Still not sure? Read an FAQ about my video courses here.

As always, email me at hello@lisacongdon.com if you have any questions at all!

SaveSaveSaveSaveSaveSaveSaveSaveSaveSave

0
shares