Category Archives: My Studio

On Being Tattooed

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Tattoos? They are not for everyone. But I have eleven of them, and they are so much a part of me that I often forget that other people notice them. Late last year, I did a rare lengthy interview about my tattoos with photographer Caroline Lee, who also took photographs of my tattoos and my former studio in San Francisco. You can read the interview here and see the rest of the photos too.

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Also posted in LIfe Outside the Studio |

Me & The Good Life Project

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Full disclosure: I am mortified at the sight of myself on video. The first time I watched myself talk for 20 minutes after giving my Creative Mornings Talk I needed a stiff drink. However, a) I’m trying to get over worrying about my crooked mouth or sounding like a dork and  b) I had so much fun talking to Jonathan Fields of The Good Life Project last month that I’m sharing this 45 minute interview with you. It was filmed in my studio, and I talk about a lot of stuff (more topics than I can name here). I hope you enjoy. Thank you, Jonathan!

Psst: You might also like some of Jonathan’s other interviews, including interviews with Seth Godin and Brene Brown and a myriad of other creative entrepreneurs.

 

Also posted in LIfe Outside the Studio |

thank you :: thank you

{“Can I haz cookie?” :: Wilfredo at my studio sale yesterday}

I want to thank everyone who came out to my studio sale yesterday. I was blown away at the attendance and the sales. To everyone who showed up, and especially to those of you who were able to purchase something from me: THANK YOU. I am so grateful that you support my work. I could not do what I do without you. And I could not adequately express that to everyone yesterday in person. Thank you, thank you.

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My Big Cartel Shop has far fewer things in it after yesterday, but for those of you who are still interested in making a purchase of original work before the holiday I’ve still got some good stuff in there. My last day to ship before closing my shop for the holidays is December 19 (and if you want something to arrive before Christmas, I advise purchasing by end of day Tuesday, December 11. If you do, it will ship December 12. I only ship on Wednesdays.)

Happy Monday!

Also posted in For Sale |

Studio Sale this Sunday!

Just a reminder that my Holiday Studio Sale is happening Sunday! If you are in the Bay Area, I’d love for you to stop by. All original works for sale, including TONS of original paintings of animals from The Dictionary of Ordinary Extraordinary Animals (all priced to sell), larger paintings on wood, framed drawings, everything in my Big Cartel Shop, collages and more. I hope to see you there!

Directions for entering my studio building: when you arrive at 660 York, walk to the door about 20 yards to the right of the main entrance.

Also posted in For Sale |

Frequently Asked Questions :: Supplies

{the view from one of my work tables, taken in 2010}

One of the questions I get frequently is: What kind of supplies do you use in your work? So today I’m going to share a little bit of that with you. Art-making is a process of experimentation. I think it’s always smart to occasionally try new supplies (whether it’s a new medium or a new brand of medium), just to see if you might like something a little bit better. Taking advice or tips from other artists is also helpful. I have learned so much from the recommendations of friends.

Again, as always, my disclaimer: I do no speak for all artists here. I speak only for myself. These are the supplies I like & use. They may not work for you.

1) Paint. I use gouache. I occasionally also use acrylic (which mixes easily with the kind of gouache I use). I also occasionally use water colors. I like gouache because it is smooth, and it works well for me on a variety of surfaces. It is easy to both use thick (out of the tube with a little water) and to thin out (like water color with a lot of water). It does not have the “grip” that acrylic has, which can make it difficult when you are painting on a smooth, hard surface like masonite, but with practice that becomes easier. My favorite brand of gouache is Acryla. The color selection is lush and they mix nicely. It is more opaque than many gouaches. And that might be because it’s an acrylic-based watercolor paint. Many other gouaches are used with the binding agent gum arabic. Gouache is matte in finish, while acrylic paint can be a bit shiny. I like this, especially when I’m painting on paper.

2) Pens. One word: Micron. I love this pen, and I have about three in each width, from very tiny to thick. I do all my lettering with Microns. They are permanent and acid free. Finding the widths that work best for you (I tend to use .03-.08 the most often) can take some time, but I do use other widths for detail work or filler. I get most of my Microns at Flax Art & Design in San Francisco where you can pick and choose from a variety of sizes and colors.

3) Pencils. I use a regular old #2 for most of my drawings. And a good quality gum eraser. I sharpen often. I also use blending stumps and fixative.

4) Brushes. I don’t spend too much money on expensive brushes. I tend to use brushes that are about 6 inches long (I prefer these to long handled brushes), and I sometimes even buy the cheaper variety pack. I go through brushes very quickly (even expensive brushes). I tend to use angular, bright and flat brushes, along with liner brushes for detail work. Some of my brushes are so tiny that you can barely see the hairs on them! This is a great brush shape chart. I like brushes that are smooth (important for the kind of work I do), but also stiff (I don’t use water color brushes which can be softer). Experimenting with brushes is also important! It took me years to figure out what kinds of brushes work best for me.

5) Paper. I work on watercolor paper and regular drawing paper, depending on what I’m painting or drawing. I buy whatever is on sale, but I always look at whatever I buy to make sure it feels right (yes, touch the paper before you buy it!). I keep a variety of weights and colors around. I sometimes prefer painting on off-white paper rather than pure white because it scans better and looks less washed out.

6) Panels. I work on both wood panels and gessoed masonite panels. I like cradled panels the best because they are ready to hang. Sometimes I work on canvas too. I’m not wedded to any brand. I tend to buy what looks good quality and seems affordable.

7) Other. I also use Exacto Knives and scissors for paper cutting. I also use painters tape and a metal ruler for creating straight edges. I love circle and other shape templates. I use a Black and Decker Hand Sander to sand edges and smooth surfaces or add some distress to my work on wood. I sometimes also use transfer paper to transfer my sketches to the painting or drawing surface. When doing collage I use archival quality glue or glue sticks. Sometimes I use a glue gun when I’m making three dimensional work. I also own a miter saw to make frames for my paintings.

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I didn’t go to art school, so much of what I’ve learned about supplies has been through experimentation. Sometimes I don’t even know if I’m using the “right” materials! But I love what John Cage said once: “Art is whatever you can get away with.” And, as a mostly self-taught artist, that as been my story.

You can view previous FAQ’s here. Happy Friday.

Also posted in Frequently Asked Questions |

Career Day on Drifter & the Gypsy!

I’m super excited to be featured over at Drifter & the Gypsy today for Micaela’s new Career Day series! I talk about my work as an illustrator and answer questions submitted by readers. You can check it out here. Thank you for inviting me, Micaela.

{Photo above by Victoria Smith, 2011}

Also posted in Illustration Projects, Inspiration |

I’m Having a Holiday Open Studio!

Mark your calendars! I’m opening up my Mission District studio for visitors on Sunday, December 9! I’ll have tons of original art for sale at many price points plus refreshments. I hope you will swing by if you are in or near San Francisco!

Also posted in For Sale |

One Man’s Trash…

{the bag of BRAVO candy right after I purchased them}

{basket of little bits of ephemera in my studio}

I am a scavenger. If you’ve read my book, you know I’ve been a collector of old and discarded things since I was a little girl.

When I was in Sweden last month, I discovered the candy BRAVO and bought it for the packaging (this happens a lot!). I love the colors, the graphics and the vintage aesthetic. I plan to make something (not sure what yet) out of the wrappers. Stay tuned for that.

Happy Tuesday, friends.

 

Also posted in Inspiration |

Inspiration, Gathered

As promised, here’s a little shot of some of the visual paper inspiration I gathered on my trip last month, and a few things I already had in a pile in my studio. I hung them on a blank wall in my studio this week. Tomorrow I’m going to get a few new pieces of furniture for my studio, which feels good. I am outgrowing my current table space, so a new, bigger work table is coming in. I’m pretty excited about that. In other more depressing news, I found out yesterday my landlord is raising the rent in my art studio building significantly. My studio is in a really cool neighborhood in an expensive city, so in some ways I am not surprised. I don’t know how much longer I am going to be able to afford to stay in this beautiful, light filled space. I am in a conundrum about what to do. Hoping for some clarity soon.

Also posted in Inspiration |

I’m in the Next Issue of Mollie Makes!

I’m so thrilled to be in the upcoming issue of the British Magazine Mollie Makes! Mollie Makes is published thirteen times a year. They curate craft from around the world into a gorgeous magazine, and in the current issue they’ve featured my studio!

You can subscribe to Mollie Makes here, and you can download the iPad version here.

Also posted in Press |

This Guy

Every few days Wilfredo comes to my studio with me to hang out while I work. I’m not sure why, but he always gets really drowsy in my studio, and so all he does is curl up and sleep while he’s there. I guess that’s good because I’m usually there to work, and if he were wanting to play fetch like he normally does, I wouldn’t get much done.

The photos above are from yesterday. I love this guy so much. He’s a little angel.

Posted in My Studio |

Studio ❤

I feel really lucky to come to this place everyday. Random chance got me a light-filled space in this building three years ago. You can see an entire photo shoot of my space taken last year here.

Posted in My Studio |

My First Painting

One of the things I did at the Tea Party at my studio this past weekend was to show the group the first painting I ever made as an adult in 2001. It is a still life of three things from my vintage office/school supply collection: a tag, an eraser and a crayon. I was taking my first painting class and we were instructed to bring something (or a set of things) from home to set up in class to paint. I wish I had some of the other paintings I made during that time. I think I may have painted over them (I reuse canvases and panels a lot since they are so expensive) or possibly even thrown them away! I have so little early work (even from 5 years ago), so I really treasure this painting.

Also posted in Paintings |

Studio Tea Party

This past Saturday Danielle from The Jealous Curator hosted a little Tea Party in my studio! 12 women attended (we squished everyone into my modest space) and Staci even came from West Virginia to attend (and she was a peach, so I was so excited to have her there). We talked a lot, ate loads of delicious catered food, drank coffee (and tea, of course!), walked the neighborhood, and had a fantastic time. I’ll post more photos from the day once I get my hands on some (I was too busy talking to take any myself). The photo of me above was taken by the awesome Maggie Hannon.

Posted in My Studio |

Where I Work

Some of you may remember Victoria’s post about my studio. It is a pretty magical place, I must say. There are skylights on half the ceiling and several times a week Wilfredo sleeps sweetly on the sofa while I work. I am feeling particularly grateful for my studio right now. 2012 has been very good to me so far and so I have been spending a lot of time here working on some amazing projects. After so many years of working in an office, I feel very lucky — even on my worst, most stressful days — to be here, in this place, painting and drawing for a living. Yes.

Posted in My Studio |