Category Archives: Hand Lettering

My Nordic Adventure: On Hugging an Icelandic Horse

nordicadventure_horse_lowres

+++

Meeting an Icelandic horse was perhaps one of the single most magical moments of one of the best days of my life. Icelandic horses are unique to Iceland. They are relatively short and have two gaits. They have gorgeous long, thick manes. In three words: they are special. I have always loved horses, and it was a particular dream of mine to meet and hug an Icelandic horse. When I got to Iceland I didn’t know how I was going to make that happen. Most of them are somewhat wild (you see them everywhere), but I didn’t know how I could get close enough to one to make eye to eye contact. One of the days I was in Iceland, the cousin of an Icelandic friend of mine took me for a drive along the South Coast. She asked me what I wanted to do. I said, “I want to hug an Icelandic horse.” So every time we saw horses on our drive that day, she stopped her car to see if we could get close enough. And sure enough, at one stop, we met the most beautiful, most friendly group of horses. And I hugged them. I will never forget that day.

Happy Wednesday.

Also posted in My Nordic Adventure Series |

My Nordic Adventure: Food Packaging, Part One

nordicadventure_food1_lowres

+++

One of my favorite things to do when I am traveling is to look at food packaging in grocery stores. Sometimes I’ll even buy things in stores just for the packaging! Not surprisingly, Scandinavian people have designed some of the most attractive food packaging in the world. Today’s My Nordic Adventure entry is  a collection food packages that I saw and loved on my trip. There will be more food packaging to come as part of this series in the months ahead.

When you are traveling, grocery stores are great places to see great graphic design and typography specific to that culture. Sometimes food packaging hasn’t changed (or has changed very little) for 25-100 years. I love those packages the most. On my trip to Scandinavia last year, I spent a lot of time looking at aisles and aisles of food and photographing some of the beautiful stuff I saw. Sweden was especially fruitful, but I found amazing packaging in Denmark, Finland and Iceland too. I can’t wait to visit some grocery stores in Paris when I am there in July!

Happy, happy Friday to you. Have a great weekend.

Also posted in My Nordic Adventure Series, Paintings |

My Nordic Adventure: Journal Entries, Part One

dansk_lowres

nordicadventure_journal3_lowres

{Journal Entries from Day 12 of my adventure in Scandinavia}

When I was traveling in Scandinavia last year, I kept a travel journal for the entire adventure. Every evening after a long day of exploring, I took my thoughts, my water color paints, my pens and any ephemera I’d collected and document my day. I used one of these gorgeous Large Moleskine Watercolor Books to record everything. I have never been an art journal keeper, except when I travel. The joy I experience when I keep a journal like this makes me wonder why I don’t engage in this kind of activity in my regular life. While traveling, I find it really grounding to re-assemble my day (and all of the visual inspiration I found) in pictures and a few words.

As part of My Nordic Adventure series, I’ll share with you some of the pages from that journal. First up: two different days from my time in Copenhagen. The entry above was from Day 12 and the entry below was from Day 13 of my trip. Copenhagen is a really colorful, lively city and I cannot wait to go back and visit there again.

nordicadventure_journal1_lowres

{From Day 13 of my Adventure}

Happy Thursday.

Also posted in My Nordic Adventure Series, Paintings |

On Getting (and Using) Another Chance

chaosquote_lowres

+++

Last week, you may recall, I stopped blogging for a few days. My life has become chaotic recently, and I needed to let a few things go temporarily. To compound the overwhelm, I was feeling like a failure. Last January, after two years of a packed work schedule, I decided that 2013 was going to be different — that I would take less work, be less busy and just do less in my life in an effort to enjoy myself more. You can read the post I wrote about that decision here. I had a great opportunity in early January to make that happen. At the time, I was working on only a few projects and I was set up to have a year of balance. As a freelancer I am lucky: I get to decide what work I take and what work I decline. No one forces me to take a job when I don’t have time in my schedule. And that’s a great thing.

But something happened. Sometime in mid-January, a whole bunch of work, including two book offers and six illustration jobs, landed in my inbox. And I said yes to all of them, in a flash, without much thinking. Two of the books are huge endeavors. One because I’m writing it (and not illustrating it) and another because it includes 900 illustrations (which I had 4 months to complete). Last week, things came to a head and the impact of my workload (and being way out of my comfort zone) made me realize I had made a huge mistake. I had done everything I said I wouldn’t do. I had taken on too much, was busy and overwhelmed and miserable.

A former coworker calls those moments when you realize you have made really bad decisions “come to Jesus” moments. I am not religious, so for me this is was not literally a “come to Jesus” moment. But figuratively it was. Now is the time I have to step back and face the facts. I have to attempt to learn from the impact of my decisions. The impact was that I was working 11-12 hour days, 6 days a week to meet all of my freelance work obligations. All the while, planning a wedding and trying to be a good partner to Clay. The impact was insomnia, not eating well, bad anxiety, exhaustion.

There was a time when I asked the universe for “a lot of work.” I thought that’s what I wanted. When you are starting out as a freelancer and you have very little work and struggle to pay the bills, often times “a lot of work” is the goal. And, on top of that, you want great jobs and clients. Over time, I got all of that: a lot of work and amazing clients.

So what happened? I think the main problem is that I am still learning how to say no to exciting opportunities in service of a better quality of life. I want to do it all. Last week I attended the TYPO Design Conference in San Francisco. Designer Satsuki Shibuya gave a great talk on this very topic. A bout of frightening illness caused her to totally re-evaluate her work/life balance. She reminded us simply that we cannot do it all. Humans are not bionic. And, that, in fact, our lives (and our work) will be better if we take on less. DUH, I thought. It’s such a simple concept, so why is it so hard for so many of us to grasp? Do I live in fear that if I say no, I’ll never have a great opportunity again?

Which brings me back to January. I can’t rewind the clock. I made commitments to clients that I need to fulfill. And I need to do my best work for all of them. So, for now, I’m still working a lot. And I’m still pretty tired. But what I do get is another chance. I can decide never to let this happen again. I can decide to start over once this hectic period ends in June.

I love what I do. I love being an illustrator and I love working hard at it. I love my clients, and the vast majority of the work I’ve had in the last three years has been incredibly exciting and fulfilling. I want to keep doing exciting work for great clients. But I’ve realized I’m not going to love my work anymore unless I also have time for breaks from it — to hang out with friends and my partner, gather new inspiration, make personal work, play, explore, be adventurous.

Thank goodness for second (or third or fourth) chances. I’ll keep you posted on my progress.

Also posted in LIfe Outside the Studio |

My Nordic Adventure: Stockholm Signage

nordicadventure_signs_stockholm_lowres

+++

Raise your hand if you love signage. I am one of those people too. I particularly (like most sign buffs) love old signs. There was a time when I would drive around different towns with my camera looking for old signs to photograph. I love signs for the same reason I love to collect certain things: the typography, the color combinations, the use of icons.

Scandinavia has some of the most beautiful signs in the world, and today’s My Nordic Adventure installment is an homage to some that I saw and loved in Stockholm, Sweden. The thing about Stockholm (and many of the places I went in Scandinavia) is that even most of the new signs were beautiful. Even the street signs are graphically cool.

I think what makes signs in countries outside your own often more interesting is that they are just so different from what we are used to. Even the use of language on the signs becomes artful or inspiring or funny. At some point I’ll get around to drawing the signs I saw and loved in Copenhagen, Helsinki and all over Iceland too.

You can see all the previous installments in My Nordic Adventure series here, and you can learn more about the project here.

Enjoy your local signage today, and happy weekend!

 

Also posted in My Nordic Adventure Series |

On Owning All of It

cherylstrayed_lowres

+++

Last night I went to hear Cheryl Strayed speak. For those of you who don’t know Cheryl Strayed, she wrote the National Best Seller Wild and last year released Tiny Beautiful Things. Ever since reading Wild (and I am currently reading Tiny Beautiful Things), I have fallen in love with her, not just as a writer and story teller, but as someone who, because of her life experiences, is an incredibly authentic, empathetic, wise woman. She is also, by the way, a fantastic and charming public speaker.

Last month, I signed a book deal with Chronicle Books. My book is due to be released in 2014. This book is different from the others I’ve worked on, and that’s because I’m writing it, not illustrating it. In the end, there will be 30,000 words in my book. Aside from this blog, on which I post five days a week, I have never written much in my life. So I have become increasingly interested in knowing as much as I can about the writing process. I am devouring essays and podcasts by writers about writing. I think it might be akin to someone who realizes they are gay, and then reads as much as they can about the experience of other gay people. I am a writer now, and, in order to understand my own experience, I want to know what the process of writing feels like to other people.

Last night someone in the audience asked Cheryl Strayed what the editing part of the writing process was like for her, and how did she decides what to fight to keep in her books and what to let go of. Her answer was very comforting to me. She said, you know, when you write a book, you hand it to your editor (sometimes more than one), chapter by chapter, and she gives you her opinion about what should stay or go and what should change (and that lots can change in that process from the original manuscript). She said that sometimes you have to fight for the things that you want to keep in your book, but that you also have to balance that with trusting another person’s opinion about your story and what might make it better. And, she said, most poignantly, this is no different from being in a relationship or parenting or life in general. Sometimes you have to listen to yourself and fight for what you want, and sometimes you have to let go and trust other people to decide what is best.

I just started writing my book, and have barely finished the introduction and the first chapter. Already there are times when I feel totally cracked open by the editing process. I am a humble writer. I know I have so much to learn. And so I welcome the critique and feedback of my editors (I have two), because I know in the end it will make my book better (and they have been, by the way, amazing and generous with me so far). And yet, it still feels hard and overwhelming to work on something for hours and hours, only to have it changed and altered and critiqued. For some reason, it feels harder than when I go through rounds of changes with my illustrations for clients. Maybe my writing is more personal to me than my art? Not sure.

Another thing I learned from Cheryl Strayed last night is that the pain of editing a book is necessary, just like the pain of editing your life (your relationships, your work) is necessary. I am learning that owning the entire experience of my life, even the really hard and shameful parts, is critical, not just to being a good writer, but also to being a good human. And I am always aspiring to be a better human, even if I am occasionally a shitty writer.

On that note, I’m off to finish chapter one.

Happy Wednesday.

+++

Also posted in LIfe Outside the Studio |

My Nordic Adventure: Icelandic Wishes

nordicadventure_wish_lowres

+++

Today I’m back with another installation in My Nordic Adventure — a series of drawings and illustrated photographs from a trip I took to Iceland, Sweden, Finland and Denmark in September of 2012.

The day I took this photograph is a day I will never forget. It was the day I really fell in love with Iceland. You can read more about that magical day on Iceland’s The Snaefellsnes Peninsula here.

Also, thank you for all your kind emails, FB & Twitter comments about yesterday’s post. You are kind people and I am very grateful for all your well wishes and support!

Happy Thursday.

Also posted in My Nordic Adventure Series |

My Nordic Adventure: Swedish Mittens

mittens_lowres

+++

Those of you who follow along here know that last week I started a new project here on this blog called My Nordic Adventure. This week’s entry: Swedish mittens! I hope you like them.

BTW, I was pretty excited when my favorite travel magazine AFAR posted about My Nordic Adventure in their Reading List: 8 of Our Favorite Stories This Week. Thank you, AFAR!!

+++

Also posted in My Nordic Adventure Series, Paintings |

Downward Dog

rumi1_lowres

+++

Two weeks ago I started a beginning yoga program. Those of you who know me well might be thinking, “WHHHHHAAATT???” But, yes, it’s true. I did.

So here’s the story: I had to quiet my mind, and there is no way in hell (at least not yet) I’d be able to meditate. So I started with what they say is the preparation for meditation: yoga.

I’ve always been a yoga nay-sayer. Too touchy-feely (I think the current term is “woo woo”). Too slow moving. Not aerobic enough. Confusing. Too many words I don’t understand. Too many sequences I can’t remember.

But then I got desperate. I am working really hard on living in harmony with life’s challenges, and so many people in my life (people I trust) swear by yoga as a calming, centering influence — a way to put the stuff we stress out about in perspective. So when we moved to Oakland a month ago, I started looking to see if there were yoga studios in my neighborhood. And sure enough, there are. And I walked into one three weeks ago and asked if they had a beginners program. The woman at the front desk told me they just started one, and the first class was Tuesday. I took this as a sign.

So the following Tuesday I went. My teacher’s name is Avenelle, and from the minute I met her, I loved her. So that helped. She is a great teacher and explains everything (basic hatha poses and sequences and what they represent). She is so gentle and kind. And she has a great sense of humor. The class is tiny. I’m with other beginners and nay-sayers. And I don’t feel confused or lost.

And, so yah, I actually like it. Not only do I like it, but it seems to be working. I am learning not to hold my breath. And I am feeling more relaxed. I am worrying less about stuff over which I have no control. And I am sleeping better.

I think in a couple weeks I’ll be ready to graduate out of the beginner program to a regular yoga class, which I am a little nervous about (it’s like wanting to stay in kindergarten forever). But I’m also sort of excited. I found something that is helping to make me feel more grounded and less anxious. I have a long way to go (both in yoga and in developing a stronger sense of equanimity in my life in general), but I am glad to have taken this leap. It’s reminding me that I am often so judgmental about things I really know nothing about. And that keeping an open mind can change everything.

Happy Wednesday.

 

Also posted in LIfe Outside the Studio |

It Is Good to Love Many Things

vangogh_quote_lowres

+++

Have totally lost sight of this recently. Getting back on track this week with the love. It is the key to all good things.

Happy Thursday, friends.

 

Also posted in LIfe Outside the Studio |

Sister Corita Kent’s Art Department Rules

sistercorita_lowres

+++

Last year I became smitten with something I read on Brain Pickings: a list of Art Department Rules by artist & teacher Sister Corita Kent and composer & writer John Cage. While I was laid up after foot surgery last year (with hours of time on my hands to kill!) I decided (with Maria Popova’s encouragement) to hand letter the rules in my own style. What you see above is the result.

Sister Corita Kent was an artist and an educator who worked in both Los Angeles and Boston. She worked almost exclusively with silkscreen and her distinctive style helped to bring screen printing into the world of fine art.

m32

{one of Sister Corita’s gorgeous posters}

Sister Corita was known as a fierce and outspoken activitst for peace, love and social justice, and her iconic artwork reflects that passion. Kent designed the beautiful, well known 1985 annual “love” stamp. She was a forward-thinking artist, and was friends with not only John Cage, but Charles and Ray Eames, Saul Bass, Buckminster Fuller and Alfred Hitchcock.

images

{Kent’s “Love” stamp and Kent and other teachers in her print making workshop.}

What I love most about Sister Corita’s and John Cage’s Art Department Rules is their encouragement to trust and experiment alongside discipline. As artists, we know we must be disciplined, but often we tell ourselves that we must work hard toward the end of perfection or mastery only. It is so refreshing to remind ourselves that disciplined experimentation is what is important.

“Nothing is a mistake. There’s no win and no fail, there’s only make.” -Sister Corita Kent

**For those of you who’d like a print of my hand lettered version of the rules, I’m unable reproduce or sell them. We contacted the Corita Art Center last year about selling prints and donating proceeds to the Art Center, and we were unable to get permission.

Also posted in Inspiration |

On Embracing It

presentmoment_lowres

+++

It’s an active time for me: I’m moving, juggling six separate (and exciting) illustration jobs, planning a wedding (hee hee, notice how I didn’t use the term “busy”). Sometimes I find myself sighing dramatically in despair because I begin to feel overwhelmed. And then I remind myself: I chose this. I chose all of it, even the parts that suck (the packing, the deadlines).

Then (and this is the hard part) I am trying to remember to embrace it — all of it (even the packing & the deadlines). And I realize that attitude changes everything.

There was a great article in the New York Times Sunday about the importance of relaxing — and how taking time to relax actually increases productivity. I’ve been thinking a lot about how to balance my internal drive to work with periods of intentional relaxation (I’ve written about this in other contexts before). I plan to use my move to a completely new environment as an opportunity to start a new practice: taking regular breaks to rejuvenate (at least one a day) — to walk, lie down with my eyes closed, read for 20 minutes. I need to get beyond just thinking about taking relaxing breaks during my work day — to actually relaxing. I’m not philosophically opposed to relaxing, per se, it’s just that I get so caught up in my work on most days that I don’t lift my head from the desk or look away from the computer for hours at a time. So this will require being more mindful and intentional.

I’ll let you know how it goes. Here’s to embracing all of it.

 

Also posted in LIfe Outside the Studio |

New Photography Themed Journal

Screen Shot 2013-02-06 at 7.12.10 AM

{Cover for my new Compendium Journal}

Last year I designed a new journal for Compendium, Inc, and I’m so happy to announce that it is now available for purchase! The journal is photography themed, and includes paintings of vintage cameras and hand lettered quotes by famous photographers.

compendium_2-580x580

{Journal Cover & End Pages }

compendium_2-580x580-1

{Interior Illustrations from the Journal}

This line of journals features plenty of lined pages to capture your thoughts. They are softcover and printed on FSC®-certified paper.

4783-write-now-photography-05

+++

compendium_4-580x580

{More Interior Illustrations}

You can purchase this journal here on the Compendium site or look for it at your favorite store.

Happy Wednesday!

Also posted in Illustration Projects, Paintings |

New Cards with Hello Lucky!

lisacongdon_hellolucky

+++

I am so thrilled to announce my collaboration with Hello Lucky on a new set of letterpressed greeting cards! I was so excited when they contacted me, because I’ve been a big fan of this San Francisco based company for years.

Bonus: if you’d like to learn more about the cards and my process for designing them, there is a little interview with me on the Hello Lucky Blog this week. You can purchase the cards here. And if you are retailer, wholesale information is located here.

hellolucky-letterpress-cards-lisa-congdon-valentines2-1000x730

hellolucky-letterpress-cards-lisa-congdon-valentines-1000x613

Thank you Hello Lucky!

Product Photos by Edyta Szyszlo Photography.

Also posted in Illustration Projects |

Changing Things Up

+++

The other night while watching a film, I got a sudden flash of inspiration to make big abstract paintings. The film wasn’t about paintings, or even art. In this particular scene in the film, something in the background was blurred — or abstracted. And whatever it was looked like a gorgeous painting, a big swath of magenta on beige background. Maybe it was the color the caught my eye? I am not sure.

I have been thinking for many months about changing things up in my personal work, and so this was just the flash of inspiration that I needed. Making abstract work has always frightened me. When I was first learning to paint 13 years ago, I figured abstract painting had to be easy. And then I tried it! And I discovered that making a successful abstract painting was insanely hard — at least for me at the time. And I’ve not tried it since.

I love the quote above by Degas. I’ve been thinking a lot lately about the importance of embracing the “beginner mind” (but more on that another day). For now, I’m off off to prep some panels for abstract paintings. I’ll let you know how it goes.

Happy Wednesday.

Also posted in LIfe Outside the Studio, Paintings |