Janine Vangool: The Typewriter

11/18/15

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{Janine’s latest book: The Typewriter, 2015}

Waaaaay back in 2006, I became acquainted with a woman named Janine Vangool. She owned a small gallery, shop and graphic design studio in Calgary, Alberta, Canada called UPPERCASE. She wrote to me to ask me if I’d be interested in participating in a show in her gallery. I was a brand new artist at the time, and so of course I was thrilled she even noticed my work! And so began our relationship as colleagues and friends that continues today. You might be familiar with UPPERCASE because for the last six years, Janine has been producing one of the most beautiful magazines on the planet — UPPERCASE Magazine. She’s also the designer & publisher of a number of books, including my very first book: A Collection a Day, which came out in 2011.

I have long admired Janine’s design aesthetic and generosity, but what I think bonds us more than anything is that we are both collectors. We love old stuff. It’s what brought us together to collaborate on A Collection a Day, and it’s what brings us together today for this interview. Janine has just published one of the most gorgeous books I’ve ever laid my eyes on — and it’s all about one of her greatest passions: The Typewriter. Janine makes beautiful books, but this is by far her tour de force. It’s huge, chock full of hundreds of stunning images and historical information, and beautifully laid out and organized. If you love typewriters, this book is for you.

Today in my Interviews with People I Admire series, I present Janine Vangool!

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{photo credit Heather Saitz}

Lisa: Janine, I am so happy to feature your new book on my blog today. Tell my readers about your publishing company UPPERCASE. You mostly work on publishing a quarterly magazine since 2009, but you’ve also published several books, including this new one. Tell us about how and why you started UPPERCASE.

Janine: I actually started publishing books before I launched the magazine. I had an art gallery and shop, called UPPERCASE gallery books & paper goods, that opened in 2005. I hosted exhibitions in the front of the space, sold other publisher’s books on art and design and also experimented in selling my own products such as greeting cards, sewn goods and handmade notebooks. In the back of the space I did my freelance graphic design for clients. After a while, I enjoyed the challenge of making and selling my own wares more than working for clients, so I began to focus on UPPERCASE. The first books I published were in conjunction with gallery exhibitions.

Old School was one of the early books and exhibitions. Inspired by the aesthetics of old fashioned elementary school, dozens of artists created artwork on the theme. I was happy to have your work in that show! All the artwork was published in a small companion book.

Another successful project was Work/Life, a directory of illustration that has evolved into a series of three books and counting.

I loved publishing so much that a magazine seemed like great way to keep the ideas flowing. UPPERCASE launched in 2009. The following year I had my son and closed the physical store to concentrate on the magazine and publishing projects versus retail.

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Lisa: UPPERCASE has grown into one of the most respected independent magazines in the world. In the age of online magazines, why do people love to get, hold & look at UPPERCASE? What do you think sets UPPERCASE apart from other print magazines?

Janine: Thanks, Lisa! It is sort of strange to think about how much the magazine has evolved since 2009. It has surpassed my initial intentions and expectations in every way. It is such a privilege to still be publishing it nearly seven years on.

The one thing that hasn’t changed through it all is my love of print and so I’m always investing back into the magazine with excellent paper, fun printed features like foils, embossing, special glued-on items like fabric… I’ve also held steadfast to my belief that UPPERCASE will not ever be a digital magazine. Where other magazine might try to do it all with print, apps, digital versions, etc, I like to concentrate on what I love and know the best: ink on paper. If you’re the kind of person who strokes the paper and loves the smell of ink, then UPPERCASE is made for you!

TW7

Lisa: Let’s talk about your new book, The Typewriter. When we first met online back in the day, one of the things that connected us was our mutual love of collecting old, ubiquitous things. You collect many things, but one of your most famous collections are typewriters and typewriter-related things. What lead to this book and why did it feel like an important book for you to make?

Janine: I could credit our collaboration on A Collection a Day for leading me down the collecting path a bit more! I have always loved typewriters, but the machines themselves are so expensive and heavy and take up so much room. But like you, I love to collect things, so I switched my focus to the ephemera of typewriters and typewriting. So other than a collection of prettily coloured Royals from the mid-fifties, my typewriter collection is made of brochures, ads, tins and various small artifacts.

To justify my obsession with collecting these things, I decided to turn it into a book. These artifacts are so intriguing, they really do tell a great story through design and copywriting, about the evolution of modern communications, women in the workplace and of graphic design and advertising as professions, too.

The history of the machine is quite complex and I’m by no means a historian or academic, so The Typewriter book is intended to be a beautiful collection of notable graphics telling its story of the past century and a half.

TW4

Lisa: The book is filled with images and information about vintage typewriters. Tell us about the amount of research and image sourcing you had to do for the book. What was the process like? How long did it take?

Janine: Early on, I was collecting things simply because I like the way they looked. Once I decided to make a book and had an outline of topics, I searched out advertisements and things that could tell the story more completely. It was many many hours on eBay and online searches. The majority of what is in the book are things that I have collected, with the exception of some of the machines and more expensive things that are sources from other collectors.

Though collecting things began years prior, the book itself was a three year project that began with a crowdsourcing campaign. Thanks to hundreds of kind folks, I was able to raise enough preorders to fund the print run of the book.

TW2

Lisa: The book is divided by era. Which typewriter era is your favorite & why?

Janine: I enjoy the 50s, when colourful machines were sold in pink, turquoise, teal and mint. I’m still looking for a sunbeam yellow Royal to complete my collection! I love the glamour and style of that era. My dad also restores vintage cars from the 50s, so growing up I was influenced by that era as well.

TW6

Lisa: Inquiring minds want to know: how many typewriters do you own? Do you use any of them? How easy or difficult is it to find parts and ribbon for them these days?

Janine: I currently have a dozen machines, but some of those are on loan for the book project and I am just their current caretaker. I use my red Royal and turquoise Royal; they continue to work well. Fortunately, I haven’t had to do any major repairs and ribbons are available from online sellers.

TW1

Lisa: If someone is interested in purchasing your book or subscribing to UPPERCASE, where should they go?

Janine: I have a website just about The Typewriter, where folks can see previews of the book and see some of the artifacts as well. My various books, back issues and subscriptions are also available here.

Lisa: Thank you, Janine!

Janine: Thank you, Lisa!

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Have a great day, friends!

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Studio Shots by Sarah Deragon

11/13/14

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One of the things I am working on at the moment is redesigning my main portfolio website (new site coming by the end of the year!). I wanted to have some photos on my new site that showed my studio — work in progress, my materials, my random collections, my shelf displays, the light and color in the space. I asked my dear and talented friend Sarah Deragon to come take those photos, and I am so thrilled with what she caught. Sarah is mostly known for her portrait photography (she took my new headshots earlier this fall), but I’m here to testify that she’s pretty skilled at capturing the beauty of a place too.  This is just a handful of the shots she took, but they are some of my favorites. Enjoy.

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Have a great Thursday, friends.

CATEGORIES: Collections | My Studio
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A Collection a Day :: Back in Stock

06/20/14

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Friends, signed copies of my 2011 book A Collection a Day is back in stock in my shop! You can get it here.

It includes 365 photographs of all of my collections, which I documented each day in 2010, along with an essay about my history of collecting. Here are some of my favorite pages:

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Have a great Friday, friends!

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New Notebooks for MoMA!

05/13/14

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Back in 2012, a really exciting thing happened: I got a call from one of my dream clients — the Museum of Modern Art in New York City. They asked me to design a series of notebooks for them based on items in their Design Collection. The result are three notebooks which are part of the new “Things I Saw at MoMA and Loved” series!

From the MoMA website: “In 1932, the Museum of Modern Art established the world’s first curatorial department devoted to architecture and design. Today, the department’s impressive collection comprises thousands of new and notable objects, ranging from appliances, furniture, and tableware to tools, textiles, sports cars—even a helicopter. Featuring illustrator Lisa Congdon’s charming drawings, the Things I Saw at MoMA and Loved notebook series highlights several memorable objects in MoMA’s permanent collection.”

I got to comb through images from their Design Collection and arrange any of my choice into “collections.” The first I created was the chair collection, pictured above. I also made a collection of coffee & tea paraphernalia from the MoMA Design Collection, below:

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And lastly, audio/visual equipment from the MoMA Design Collection:

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Lisa Congdon Notebook Orange

Each book is 8.25 inches high x 6.20 inches wide with 100 lovely grid pages. You can purchase them here

Have a happy Tuesday, friends!

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Creative Mornings

09/12/13

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Creative Mornings has an awesome new website! And on that website you will find a collection of many of the Creative Mornings videos from around the world! You may recall that I participated in the Creative Mornings Kickstarter campaign by donating artwork to fund this awesome website, and I’m so excited that it’s now available. Take a look at all the awesome videos here. Find the Creative Mornings closest to you right here.

In 2011 I gave a Creative Mornings talk, which you can watch here on the Creative Mornings site!

Enjoy & happy Thursday!

 

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